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Nobody wants to get fired. Most people avoid it by generally doing good work and keeping complaints about their jobs to themselves or close family.
Unfortunately, it's not that simple. There are many things that can get you fired beyond the obvious; you don't have to burn down the office to earn a pink slip.
"If you have created a situation for yourself where there's some level of dissatisfaction with your performance, any organization will figure out where there is an option or a point of entry where they can separate you from them," said Roy Cohen, a New York City career coach and author of The Wall Street Professional's Survival Guide. "Assuming you're in an employment-at-will environment, you don't ever have to be told why you're being fired."
Most professional employees are "employees-at-will," which means that they can be fired for any reason – or none at all. Employment-at-will laws vary from state to state, but if you're not in a union or don't have a contract, they likely apply to you.
It may not be fair to get fired because you choose not to shower, think you're smarter than your boss or have issues admitting when you're wrong, but it can happen. Here are ten ways to get thrown off your job.
1. Get Conveniently Sick
It's okay to take sick days when you need them, but if you take too many at the wrong times, it could mean more free time to convalesce.
"If you want to get fired, repeatedly call in sick on Mondays," said Randy Merrell, vice president of operations at Elite Network, a San Francisco-based search firm. "Muscle up and get yourself in there. Hangovers are no excuse."
The same goes for vacation days, said Cohen. Ditching the company for a few days of sun and surf in the middle of a busy season reflects poorly on your dedication to the well-being of the business.
"An administrator in my client's department had a key role in planning a major event, and the admin called in sick for three days the week before the event," said Cohen. A check of her records showed that she had a pattern of calling in sick around major events. "All of the work gets dropped on others' shoulders. Her sick days might have been legit, but they were legit too frequently," he said. That, when combined with her sloppy work and incomplete projects, got her cut from the roster.
2. Lie on Your Job Application
Everyone beefs up their resume, and assumes that once they have the job, it's no longer important what they did to get it. Not so fast. If your job performance lags, your resume may be reviewed again. An inconsistency or poorly timed embellishment could be used to get rid of you.
"If they're dissatisfied with you and then they find out that you lied, that's an easy ticket for them," said Cohen.
For example, Bruce Hurwitz, president and CEO of New York-based Hurwitz Strategic Staffing, recalls a staff member at a former employer who noted on his resume that he had his CPA when he did not. He had taken all the coursework, but did not take the exam.
"He had the job, was doing a good job, but was fired on the spot when his boss found out he had lied on his resume. The job didn't require a CPA, but the boss checked to see if he had it anyway," said Hurwitz. "Even though it wasn't a requirement, it reflected on his character."
3. Be Disgusting
If you aren't diligent with your hygiene, people probably aren't going to go out of their way to keep you around.
"I have a number of clients who are managers that have employees who were unkempt," said Cohen. "When it came time for downsizing, they were at the top of the list."
You might think that hygiene habits should be a personal decision left to each staff member's own discretion, but Cohen said that the reach of bad body odor goes beyond the cubicle around you. "It's engaging in anti-social behavior," he said. "Not bathing, being unkempt... You have to be very careful, especially if you're in a client-interfacing role."
4. Stay Anonymous
As the old adage goes, the squeaky wheel gets the grease. If you always keep your head down, never remind your boss of your accomplishments, and aren't a familiar face to the higher-ups, you aren't going to be remembered for what you're worth when headcount is being shaved.
"It's not enough to just work hard, stay late, and be intelligent," said Linda Farley, founder of Farley Training, a San Antonio-based management coaching firm. "It shows you're not a team player. If you don't speak up in meetings and share your ideas, you'll be the one who doesn't have ideas," instead of the one who works late and meets deadlines.
"People need to know you as a person before they can trust you as a worker," she said.
5. Never Compromise
An ego is arguably a necessity in the business world. But a big head that's consistently getting in the way of efficiency and teamwork is a head that will roll.
"If you're not forceful to the proper degree in promoting your own ideas, you're not going to get anything accomplished," said Hurwitz, but you have to be able to do it in the proper way.
Those who always need to do things their way, "come across as single-minded and critical of others' ideas," said Cohen. "If your ideas are smarter than everyone else's, they'll rise to the surface and be appreciated -- unless you don't listen to anyone else, ever."
6. Be Ungrateful
With unemployment hovering around 9%, try to be thankful for what you have, instead of whining about what you think you deserve. A lack of humility can earn you a pink slip.
"If you want out, ask for a raise before a round of job cuts, and get angry when they don't give it to you," said Cohen. "It shows poor judgment."
Another way to get the ax, said Cohen, is telling your boss that the work they're providing you with is beneath you.
In one word, complain. "That's how you get your name at the top of the list," said Cohen.
7. Don't Respect the Chain of Command
It's likely that the current chain of command in the office has long been in place, and for good reason. Except in the most extreme of circumstances, experts recommend respecting it.
"When you're emotionally intelligent, aware of your surroundings and know who the players are, you have a sense of what you should say when, and when you should keep your mouth shut," said Farley. "You know when you should go over someone's head, and when you should follow the chain of command."
No matter how much you hate your boss or how dumb you think he is, it's usually career suicide to reveal those sentiments to a higher-up.
8. Spend Time With the Complainers, Non-Performers and Gossips
When company information is leaked or major deadlines are missed, someone will likely be fired. Even if you weren't involved, you don't want your name associated with those of the usual suspects.
"Even if you're not a non-performer or a complainer yourself, if you're associated with them, people will start thinking of you in that way," said Farley of Farley Training.
There's a "birds of a feather" mentality to this one -- if you're in a clique with your most toxic colleagues, it's easy for your boss to liken you to them. "If you are associated with the gossip, it's going to be assumed you are spreading rumors too," said Hurwitz, of Hurwitz Strategic Staffing.
9. Never Take Responsibility When Things Go Wrong
Take a page out of former Rep. Anthony Weiner's book on this one. If you do something stupid, don't lie about it. The truth will come out -- and you'll get a lot of negative attention if you're forced to admit you tried to cover up.
"It's not the crime, it's the cover-up," said Hurwitz. "If you're the source of bad news about you and if you admit to your mistakes and you don't repeat them, that's a positive. You'll get credit for it."
But if you blame failed technology, time crunches, or the errors of your colleagues when things go awry and you're to blame, you're expendable.
10. Take Credit for Other People's Work
No one likes a freeloader. If you are the worker who never presents an original thought at work, or you take credit for others' accomplishments, you're likely to find yourself out the door.
"One guy stole commissions from co-workers when everyone was out on Christmas break," said Merrell at Elite Network. Commissions at the company were given to the person who did the legwork and sold the services to the client, said Merrell, not by the person who answered the phone when the client called to conclude the sale. "The company policy was that you gave commission credit to the correct person, even when they were out," said Merrell. "I took great pleasure in firing this guy."
Write to Kelly Eggers
Tamara Guion-Yagy was disappointed when Tetra Tech, an environmental engineering firm in Pasadena, Calif., hired somebody else for the job that she wanted. The 40-year-old graphic designer thought she was being tried out when the firm hired her as a temporary worker.
So Ms. Guion-Yagy worked even harder at the same temp job, often staying late to finish work. Her manager responded by creating another full-time position for Ms. Guion-Yagy. "I knew I'd be good at the job and liked the work," she says. "I just needed to show them how much."
When times are prosperous, companies are more likely to use temporary jobs as a low-risk way to vet full-time candidates. But the conversion rate from temporary to permanent worker has been low over the past few years as more companies lean on temps as a hedge against a double-dip recession, says Jonas Prising, president of Manpower North, a temporary-staffing company in Milwaukee, Wis.
"That's why temps should do what they can to stand out in some way to improve their chances of getting hired full time or at least having their contracts renewed," he says.
Become a source of ideas by really understanding the needs of your company and figure ways to apply your talents to this end. If you have logistics experience, for example, and know that consolidating shipping through a single supplier can save money, why not present your ideas in writing to the boss?
Be punctual and friendly, replace the office coffee with a gourmet blend or do anything else to increase your visibility in the office. Small gestures can make a lasting impression.
Work your way into the everyday office culture so co-workers will think of you as a colleague and somebody they can rely on. Laurie Ruettimann, a human-resources professional from Raleigh, N.C., recommends participating in workplace functions like office parties, picnics and lunch outings.
Volunteer for company-supported activities like charity work. It helped Sailor Brown get a full-time job at financial-services firm E*Trade Financial in New York. A weekend March of Dimes event gave the 40-year-old executive assistant the opportunity to interact with her boss and co-workers in a casual setting. And it allowed them to connect the hard-working temp from the office with a real human being who's easy to get along with. Ms. Brown says she was hired full time soon after the event.
But don't pester everyone about becoming a full-time employee. Put out your best work and let your actions sell you. Keep note of your accomplishments and bring them up when it's time to renew your temporary contract.
Just being on the inside gives you an advantage over external candidates when applying for full-time jobs, says Mr. Prising. But don't get complacent. Ready some options for when your contract is up.
Clarence Clemons, the saxophonist in Bruce Springsteen’s E Street Band, whose jovial onstage manner, soul-rooted style and brotherly relationship with Mr. Springsteen made him one of rock’s most beloved sidemen, died Saturday at a hospital in Palm Beach, Fla. He was 69.
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The cause was complications from a stroke, which he suffered last Sunday, said a spokeswoman for Mr. Springsteen.
From the beginnings of the E Street Band in 1972, Mr. Clemons played a central part in Mr. Springsteen’s music, complementing the group’s electric guitar and driving rhythms in songs like “Born to Run” and “Tenth Avenue Freeze-Out” with muscular, melodic saxophone hooks that echoed doo-wop, soul and early rock ’n’ roll.
But equally important to the group’s image was the sense of affection and unbreakable camaraderie between Mr. Springsteen and his sax man. Few E Street Band shows were complete without a shaggy-dog story about the stormy night the two men met at a bar in Asbury Park, N.J., or a long bear hug between them at the end of the night.
Mr. Clemons also became something of a celebrity in his own right, acting in Martin Scorsese’s “New York, New York” and other films, and on television shows like “Diff’rent Strokes,” and jamming with President Bill Clinton at the 1993 inaugural ball.
A former college football player, Mr. Clemons towered over Mr. Springsteen at 6 feet 4 inches and about 250 pounds — his self-evident nickname was the Big Man — and for most of its history, he stood out as the sole black man in a white, working-class New Jersey rock band. (The keyboardist David Sancious, who is also black, played with the group until 1974.) Onstage he had almost as much magnetism as Mr. Springsteen, and even if much of his time was spent hitting a cowbell or singing backup, he could still stir up a stadium crowd with a few cheerful notes on his horn.
For many fans, the bond between Mr. Springsteen and Mr. Clemons was symbolized by the photograph wrapped around the front and back covers of the 1975 album “Born to Run.” In that picture, a spent yet elated Mr. Springsteen leans on a shoulder to his right for support; the flip side revealed that it belonged to Mr. Clemons.
“When you look at just the cover of ‘Born to Run,’ you see a charming photo, a good album cover, but when you open it up and see Clarence and me together, the album begins to work its magic,” Mr. Springsteen wrote in a foreword to “Big Man: Real Life and Tall Tales,” Mr. Clemons’s semifictional memoir from 2009, written with Don Reo. “Who are these guys? Where did they come from? What is the joke they are sharing?”
Clarence Anicholas Clemons was born on Jan. 11, 1942, in Norfolk, Va. His father owned a fish market and his grandfather was a Southern Baptist preacher, and although he grew up surrounded by gospel music, the young Mr. Clemons was captivated by rock ’n’ roll. He was given an alto saxophone at age 9 as a Christmas gift; later, following the influence of King Curtis — whose many credits include the jaunty sax part on the Coasters’ 1958 hit “Yakety Yak” — he switched to the tenor.
“I grew up with a very religious background,” he once said in an interview. “I got into the soul music, but I wanted to rock. I was a rocker. I was a born rock ’n’ roll sax player.”
Mr. Clemons was also a gifted athlete, and he attended Maryland State College (now the University of Maryland Eastern Shore) on a scholarship for football and music. He tried out for the Dallas Cowboys and the Cleveland Browns, but a knee injury ended his hopes for a football career.
He was working as a youth counselor in Newark when he began to mix with the Jersey Shore music scene of the late 1960s and early ’70s. He was older than Mr. Springsteen and most of his future band mates, and he often commented on the oddity — even the liability — of being a racially integrated group in those days.
“You had your black bands and you had your white bands,” he wrote in his memoir, “and if you mixed the two you found less places to play.”
But the match was strong from the start, and his saxophone soon became a focal point of the group’s sound. In an interview with The New York Times in 2005, Jon Landau, Mr. Springsteen’s manager, said that during the recording sessions for “Born to Run,” Mr. Springsteen and Mr. Clemons spent 16 hours finessing the jazzy saxophone solo on that album’s closing song, “Jungleland.”
Mr. Clemons’s charisma and eccentricity extended offstage. Wherever the band played, he made his dressing room into a shrine he called the Temple of Soul. He claimed to have played pool with Fidel Castro and won. And by many accounts, including his own, he was a champion partier on the road. He was married five times and divorced four. His fifth wife, Victoria, survives him, as do four sons: Clarence Jr., Charles, Christopher and Jarod.
Mr. Springsteen put the E Street Band on hiatus on 1989, and apart from reuniting for a recording session in 1995, the group did not play again until 1999. But by the mid-1980s, when Mr. Springsteen reached his commercial peak, Mr. Clemons had already found fame on his own. In 1985 he had a Top 20 hit with “You’re a Friend of Mine,” on which he sang with Jackson Browne, and played saxophone on records by Aretha Franklin and Twisted Sister. Recently he was featured on Lady Gaga’s album “Born This Way.”
Mr. Clemons’s first encounter with Mr. Springsteen has become E Street Band lore. In most tellings, a lightning storm was rolling through Asbury Park one night in 1971 while Mr. Springsteen was playing a gig there. As Mr. Clemons entered the bar, the wind blew the door off its hinges, and Mr. Springsteen was startled by the towering shadow at the door. Then Mr. Clemons invited himself onstage to play along, and they clicked.
“I swear I will never forget that moment,” Mr. Clemons later recalled in an interview. “I felt like I was supposed to be there. It was a magical moment. He looked at me, and I looked at him, and we fell in love. And that’s still there.”